Monday, September 25, 2017

The Diversity Trap - Part 3

Topical comic books are popular but often run into problems because the writer has strong views on a subject and slants the stories to match his own view.

Note that including a topical theme based on what the writer and artist wants goes all the way back. In his first issue, Superman took on corrupt politicians. The image of Superman smashing a car on the cover of Action Comics #1 occurred when he chased down a crooked politician. Captain America punched Hitler on the cover of his first two comics even though the US was still officially neutral.

After that, though, things died down for decades. Stan Lee and Jack Kirby started introducing messages in the mid-60s with the introduction of the Sentinels in the X-Men. This was the first "they hate us because we're different" story arc in comics. Mutants been successful for decades as a stand-ins for blacks and gays in society.

Stan also included some more overt stories such as ones revolving around the KKK-inspired Sons of the Serpents.

But sometimes a really committed creative team goes overboard and writes a heavy-handed story. Writer Bill Mantlo hated the nuclear power industry (he referred to it as the moral equivalent of the Holocaust) so he wrote a story where Howard the Duck was threatened by the personification of the nuclear power industry, Greedy Killerwatt.


 Howard had to stop Greedy in order to save Santa Claus.

Over at DC, Green Lantern landed in a ghetto where he discovered he was unpopular.

(Personally, my answer would have been "I saved the planet three times this week. Isn't that enough for you?) Green Lantern and Green Arrow teamed up and traveled the country in search of the "real America". This led to several heavy-handed stories including this one where an Eco-sabateur is crucified by angry workers at an aircraft plant.



And, back at Marvel, the head of the Secret Empire turned out to be President Nixon.


So, heavy-handed plots about topical subjects are nothing new.

Never the less, I'm still bothered by the current story arc in Sam Wilson, Captain America. Sam, aka the Falcon, is now Captain America. The story arc is meant to reflect Black Lives Matter. In it, a private security group called the Americops has become the country's predominant police force. In reality, they are more concerned with driving minorities out of depressed neighborhoods to make it easier to gentrify them. Falcon/Captain America and a black hero named Rage discover this. Rage is framed for robbery and sent to a private prison for super-villains where he is beaten and left hospitalized with brain injuries. In the meantime there is mass protests with some rioting and looting.

For those who have forgotten, the events that lead to the creation of Black Lives Matter - the deaths of Trevon Martin and Micheal Brown were both found to be justified because, in both cases, they engaged in an unprovoked assault on a smaller man putting him fear of his life. In both cases, the Civil Rights division of the Justice Department reviewed the cases and said that there was no attempt by the shooter to deprive the deceased of his civil rights. In other words, they agreed that the shootings were justified. Also the "Hands up don't shoot" meme never happened. I'd also like to point out that real live cops have been killed by people inspired by BLM protests.

So the story arc in Captain America was contrived to remove any ambiguity and to be sure that there could be no possible sympathies except for blacks. Police have been replaced by silent, faceless corporate employees. There is no question that Rage is innocent. The only ambiguity here is if it is appropriate to burn everything down in the hope that something better would replace it. The whole story arc is contrived to make BLM seem justified in their protests.

And back over at DC, Superman saves some illegal immigrants from a racist who wants to kill them for taking his job.


Again, this is a contrived situation. Many people have reacted the wrong way to this. No one can seriously argue with Superman saving people from a gunman. The story is designed to make anyone objecting look bad. The real objection is that this doesn't happen. No one is shooting illegal aliens for taking jobs. The story is written specifically to make you cheer for the illegals. That's what makes it heavy-handed.
 

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