Wednesday, December 27, 2017

Grading the Doctor Who Christmas Specials

There have been 13 modern Doctor Who Christmas specials. The most recent one marked the end of Steven Moffat's time with the Doctor and Peter Capaldi's final episode. So how do they rank:

1) The Christmas Invasion.  B-
This was David Tennant's introduction. It had a few problems. There were plot holes such as how the various creatures knew to attack Rose's family. The biggest problems were that Tennant spent most of the episode regenerating. He only really appeared in the last 15-20 minutes. Worse, he saved the day by dueling with an alien with swords. I'm pretty sure that's the only time the Doctor has won by fighting his way out. He also killed the alien leader (using an orange to trigger a trap door). That was pretty cold, too.

On the plus side, Tennant put everything into his intro, When you see this and late episodes like The Waters of Mars you see how he got too used to the role and was essentially on autopilot.

2) The Runaway Bride. A-
This was a much better plot. It also introduced Donna who would become the Doctor's companion a season later. 

3) Voyage of the Damned.. A-
This was a good old-fashioned Doctor Who plot. We meet a bunch of people then a malignant force starts killing them with only a few (or only one in this case) still alive at the end.

4) The Next Doctor. A+
This was Tennant's best Christmas episode. It took place in Victorian England with Cybermen running around, making a giant steampunk version of themselves. It also teased the fact that Tennant was going to be replaced. From the name, people expected to meet the next doctor but it was a fake-out.

5) The end of Time. B+
Points off for stuffing too much into this one. First the Master was resurected and hatched a master plan to turn everyone on earth into a copy of himself. Then the Timeslords had a plan to return from where ever they were trapped (that keeps changing). And after all of that was sorted out, the Doctor had to sacrifice himself for Donna's aging grandfather who walked into the wrong room at the wrong time. That was followed by a half hour of the Doctor visiting everyone important from Tennant's time. On top of that, there was a dropped sub-plot about President Obama giving a speech on saving the world's economy. Why was that there? And why would Obama give a speech on Christmas instead of lazing in the Hawaiian sun? Who knows?

The episode itself was fine but it could easily have been a half hour shorter and no one would have noticed.

6) A Christmas Carol. A++
This was Matt Smith's first Christmas special. It was also the first one under Moffatt instead of Russell T Davies. This one was hands-down the best, slightly edging out The Next Doctor. It had flying fish, a flying shark-drawn carriage, a hint of what Amy and Rory's honeymoon was like, Dumbledor (Micheal Gambon) and a sort-of cameo by Marilyn Monroe. All with in a steampunk world.

7) The Doctor, The Widow, and the Wardrobe. A
Moffatt tried hard to top the previous Christmas special by doing a version of the Lion, the Witch and the Wardrobe. It wasn't as good but it still worked.

8) The Snowmen. B
This was Clara's second sort-of introduction (and her second death) before she became the Doctor's companion. This took place after Amy and Rory left and the Doctor was depressed. Even taking place in Victorian London didn't brighten things up. It also introduced The Great Intelligence who promptly vanished until The Name of the Doctor. This wasn't a terrible episode but it wasn't a great one either.

9) The Time of the Doctor. B-
This one makes The Snowmen look light and happy. After a promising start, the Doctor ends up on the planet that he is to die on where he spends hundreds of years fighting off aliens until he dies of old age. Clara convinces the Time Lords to regenerate the Doctor and he uses the regenerative energy to destroy all of the aliens. This episode attempts to wraps up all the unresolved plot threads from previous seasons. It isn't very successful at that. (The Silence really planned on destroying the universe in order to keep the Time Lords from returning?) It did have a brief return of Amy which was handled better than Tennant's long drawn-out finale.

10) Last Christmas. C-
This seemed like it was going to be a fun episode. Santa and the Doctor are trying to save a group of scientists in a research station at the North Pole. But it turns out that it's all an illusion caused by aliens eating at their minds. I didn't like it. Capaldi's first season was marred by episodes that were so dumb they made your brain hurt (the Moon is an egg and when it hatches the new-born creature immediately lays an identical Moon) and this was one of them.

11) The Husbands of River Song. A
 What a turn-around. This is what Capaldi's Doctor should have been like. From start to almost-finish it was a lot of fun. It also wraps up River's story with the Doctor sending her off to die in the Library after scanning her so that she can be downloaded and saved. 

12) The Return of Doctor Mysterio. A-
The Doctor accidentally gives a boy super powers. Fortunately the boy was a big fan of Superman (the Chris Reeves version) so he uses his powers for good. I gave this one a minus for being too light and fluffy but it's dun to watch.

13) Twice Upon a Time. B-
What if they had a Christmas special where nothing happened? That's this one. It has the 1st and the 12th Doctors together, each fighting a regeneration. I'm not quite sure why they are together. There's also a British officer from WWI who was about to die. There are some aliens but it turns out that they aren't doing anything wrong so there's nothing for the Doctors to do. Eventually everyone accepts their death. The officer is saved by the Christmas truce of 1914. The Doctors regenerate. This was really just filler. They'd already killed off Doctor and they weren't ready to do a full episode with the 13th Doctor so nothing really happened. At least the interplay between the Doctors was fun.

Monday, November 13, 2017

Thor and Wonder Woman's Progressions

Boilerplate warning - this is nothing but spoilers.

Wonder Woman was very similar to Captain America: First Avenger in tone and subject matter but the character arc was closer to Thor: Ragnarok. In both movies, the hero is a god or demi-god who has to face a more-powerful sibling. Thor fought Hela, the Goddess of Death. Wonder Woman fought Aries, the God of War.

Both heroes's weapons fail them. Wonder Woman was armed with a sword and shield that she'd been told were made to kill Aries. Instead the shield was lost in an earlier battle and Aries melted the sword. Thor threw his hammer at Hela at their first meeting. She stopped it with one hand the shattered it.

Both heroes had to discover the power within themselves. There were a few hints of Wonder Woman's potential early on but she really came into her own during the fight with Aries.

After Thor's hammer was shattered we saw some sparks from his fingers. The Grandmaster even made fun of it. It wasn't until he was fighting for his life against the Hulk that Odin came to him in a vision and his full powers manifested for the first time. He had a longer vision during his fight with Hela and gained full control of his abilities as God of Thunder.

But here's where the stories diverged. Wonder Woman slammed her bracelets together and vanquished Aries. All she had to do to was reach her full potential.

In contrast, after Thor hit Hela with the biggest lightening bolt ever, she dusted herself off and returned to the fight. She was simply more powerful than Thor. His only solution was to bring about Ragnarok. And he didn't even do it himself. He sent Loki to do it while he provided a distraction.

You can argue about which movie is better but Thor had the more mature hero's journey. He learned to sacrifice in order to be a good leader and he paid a price with the loss of Asgard and his right eye. Wonder Woman lost Steve Trevor. Thor went on to lead his people in the search for a new homeland. Wonder Woman joined the staff of the Louvre. For all its goofiness, Thor Ragnarok is the more mature of the two movies..

Monday, September 25, 2017

The Diversity Trap - Part 3

Topical comic books are popular but often run into problems because the writer has strong views on a subject and slants the stories to match his own view.

Note that including a topical theme based on what the writer and artist wants goes all the way back. In his first issue, Superman took on corrupt politicians. The image of Superman smashing a car on the cover of Action Comics #1 occurred when he chased down a crooked politician. Captain America punched Hitler on the cover of his first two comics even though the US was still officially neutral.

After that, though, things died down for decades. Stan Lee and Jack Kirby started introducing messages in the mid-60s with the introduction of the Sentinels in the X-Men. This was the first "they hate us because we're different" story arc in comics. Mutants been successful for decades as a stand-ins for blacks and gays in society.

Stan also included some more overt stories such as ones revolving around the KKK-inspired Sons of the Serpents.

But sometimes a really committed creative team goes overboard and writes a heavy-handed story. Writer Bill Mantlo hated the nuclear power industry (he referred to it as the moral equivalent of the Holocaust) so he wrote a story where Howard the Duck was threatened by the personification of the nuclear power industry, Greedy Killerwatt.

 Howard had to stop Greedy in order to save Santa Claus.

Over at DC, Green Lantern landed in a ghetto where he discovered he was unpopular.

(Personally, my answer would have been "I saved the planet three times this week. Isn't that enough for you?) Green Lantern and Green Arrow teamed up and traveled the country in search of the "real America". This led to several heavy-handed stories including this one where an Eco-sabateur is crucified by angry workers at an aircraft plant.

And, back at Marvel, the head of the Secret Empire turned out to be President Nixon.

So, heavy-handed plots about topical subjects are nothing new.

Never the less, I'm still bothered by the current story arc in Sam Wilson, Captain America. Sam, aka the Falcon, is now Captain America. The story arc is meant to reflect Black Lives Matter. In it, a private security group called the Americops has become the country's predominant police force. In reality, they are more concerned with driving minorities out of depressed neighborhoods to make it easier to gentrify them. Falcon/Captain America and a black hero named Rage discover this. Rage is framed for robbery and sent to a private prison for super-villains where he is beaten and left hospitalized with brain injuries. In the meantime there is mass protests with some rioting and looting.

For those who have forgotten, the events that lead to the creation of Black Lives Matter - the deaths of Trevon Martin and Micheal Brown were both found to be justified because, in both cases, they engaged in an unprovoked assault on a smaller man putting him fear of his life. In both cases, the Civil Rights division of the Justice Department reviewed the cases and said that there was no attempt by the shooter to deprive the deceased of his civil rights. In other words, they agreed that the shootings were justified. Also the "Hands up don't shoot" meme never happened. I'd also like to point out that real live cops have been killed by people inspired by BLM protests.

So the story arc in Captain America was contrived to remove any ambiguity and to be sure that there could be no possible sympathies except for blacks. Police have been replaced by silent, faceless corporate employees. There is no question that Rage is innocent. The only ambiguity here is if it is appropriate to burn everything down in the hope that something better would replace it. The whole story arc is contrived to make BLM seem justified in their protests.

And back over at DC, Superman saves some illegal immigrants from a racist who wants to kill them for taking his job.

Again, this is a contrived situation. Many people have reacted the wrong way to this. No one can seriously argue with Superman saving people from a gunman. The story is designed to make anyone objecting look bad. The real objection is that this doesn't happen. No one is shooting illegal aliens for taking jobs. The story is written specifically to make you cheer for the illegals. That's what makes it heavy-handed.

Saturday, September 23, 2017

The Diversity Trap - Part 2

Earlier I wrote about how changing comic book characters in the name of diversity is self-limiting. This time I'll talk about how pushing original characters because they are diverse is also self-limiting.

Marvel mad a push for more diverse characters back in the 1960s. It began when Stan Lee instructed the colorists to start putting black faces in crowds. The Black Panther was a milestone. He was the first black African superhero in comics, breaking the mold of Tarzan where Africans were dependent on a white man to save them (or in Tarzan's case, often to prey on them).

Luke Cage was the first black solo title. He was a working-class hero with an office in a run-down theater on Time Square. He acted as a super-powered private eye, taking cases for money.

The Panther got his own comic, also. In his case, he was fighting (communist?) revolutionaries in his country of Wakanda. While these had elements of the "blaxploitation" fad in movies, they still had a number of good stories and both characters are still popular today.

Marvel also introduced "The Cat" which was the first comic book featuring a woman superhero which was written and drawn by women. It was a total flop. A few years later they introduced the female spin-off characters Ms Marvel and She-Hulk. Both are still around although both now go under their male counter-parts names (Captain Marvel and Hulk).

So, just to the present and "America". I have to admit that I'm not familiar with the character so America #1 was my introduction to her. I'm going to do something different for me and go over the comic in detail.

It starts with 9 panels of people saying how great she is. The next page is a splash of America apparently saving some brown-skinned people from a piece of falling concrete while exclaiming "..America's got you". That's followed by a brief introduction to the character. Apparently she's been around for a while but she's gotten tired of being a hero so she's going to college. Also she's from a different dimension and she's the lesbian daughter of lesbians. I'm not quite sure how this works. And how can she be Latina when she's from a different dimension? Latina means a woman from "Latin America".

And she's super-strong and can punch star-shaped holes between dimension!

It seems that the team The Ultimates is fighting an energy creature that looks like a woman. America is busy saving a little girl while Captain Marvel #2 (Monica Rambeau aka Captain Marvel/Spectrum and Captain Marvel #5 (Carol Danvers aka Ms Marvel/Binary/Warbird/Ms Marvel/Captain Marvel) fight the energy being.

America finishes saving the girl and goes to confront the energy creature who dispatched Spectrum with a blast of "white energy". America replies that "white means the absence of color" and gives her a taste of her "little brown fist". This causes the energy being to break into stars. Fight's over. BTW, white is all colors, black is an absence of color. Was this a racial slam or what?

On the next page we find out that the planet's healing itself now. This is a different planet? How did they get there? Why them? Why are they all women dressed in pink? Why do they act so inane ("Yea, we're not dead?" "Will you stay forever and be my best friend?")

The next page finds the three superheros on a video conference with the Black Panther and Blue Marvel. There's a lot of dialog about pseudo-science while America thinks that it was too easy. We still don't know how the Ultimates got there but it might be a different dimension instead of a different world.

I'm going to pause for a moment to discus power levels. Monica and Carol have been around for decades and both are very formidable characters. But America was able to to defeat this thing with one punch. I looked up her powers and she can also fly faster than light. All of this seems kind of over-powered for a Marvel hero. Who can give her a good fight? Thanos?

Next page and she's back on earth having a romantic moment with her girlfriend. The following page is the middle of the night and they break up. I'm confused. Was this relationship important in America's previous appearances? Why bother using two pages of her first solo comic introducing then breaking up the characters?

The next page finds America working on a van and talking to Kate Bishop who they keep calling "the real Hawkeye". Obviously I missed something here. I thought the "real" Hawkeye was the guy in purple who's been around since the 1960s. There's a caption that says the two are somewhere mid-way between Cali and NYC. The background looks alot further west than "mid-way". Did Hawkeye drive half-way across the country to keep America company while she fixed her van? Or were the two going in different directions? And why does someone who's super-strong and can fly need to drive a van across the country? Couldn't she pick the van up and carry it?

Next is a splash page of the college America enrolled in - Sotomayer University. Apparently the "university" only has one department, the Department of Radical Women and Intergalactic Indigenous Peoples. There are also test ranges for super powers. This place makes Trump University seem legitimate.

Next page has some women recognize America and try to get her to pledge to their sorority. I won't repeat the details.

It seems that America is late for her first class. She must have been really late. Instead of walking in half-way through the teacher's introduction, she walks into a simulation. He powers have been neutralized and she's warned that if she does the wrong thing she will be flash-frozen and beamed to the campus medical facility. What kind of college is this?

America is totally lost but then a black guy named Prodigy shows up and solves the test. I'd like to point out that this is the first male in the comic to get more than a panel on a view-screen. Prodigy is a former mutant and major genius.

I'm guessing that America transferred in mid-term since everyone else seems to know what's going on. No orientation or anything. Is this school accredited?

Prodigy's working on a time machine. It doesn't work yet but, by an amazing coincidence, America's reality-punching ability may be just what it needs to work. So America pushes the start button and plunges into an untested time machine. She ends up in early WWII, just in time to upstage a young Captain America in punching Hitler. Then a caption at the bottom says that her whole world shifted to something new. End of the first issue. On to the letters page. Except it's the first issue so it's a note from the writer about how great this comic is and how America is going to go on a voyage of self-discovery and get a boost to her powers.

So where does this leave us? Besides totally confused?

Given that this is the writer's first comic book, I'm going to guess that this is one of Marvel's diversity hires. Also the editorial staff should never have approved this story as written. It's a poor first draft. We don't know why anything happened. It's rushed, touching on too many things without bothering to explain anything. Several pages are wasted space. The opening page of people telling us how much they like America didn't serve any function except to try to convince us that America is great instead of showing us. The time spent with her soon-to-be ex-girlfriend and the breakup could have been reduced to a line of dialog. We have no idea what goes on at this university except that it involves people with super powers.

And because of diversity, the only two white men in the entire comic book are Captain America and Hitler. Prodigy seems to be the only guy.

The dialog is terrible but, since I haven't seen any of America's other appearances I can't say if she's always sworn "by the holy menstruation" or not.

Bottom line, in the drive for a diverse character, all semblance of telling a compelling story was lost but we're supposed to overlook that because America is just so awesome because she's a lesbian Latina. I don't care what your ethnicity or sexual preferences are. I want a good story.

Thursday, September 21, 2017

The Diversity Trap

It is an understatement to say that Marvel has revamped their characters. Most of the mainstays have been replaced with a more "diverse" version. Thor is now a woman, Captain America is black, Iron Man is a teenage black girl, the Hulk is an Asian teenager, but there's also a female version, Captain Marvel is a woman and Ms Marvel is a Muslim. There's a black, Hispanic version of Spider-Man. I'm probably forgetting a few in this list, also.

On one hand, this is nothing new. There was a fad in the late-80s and early-90s to replace heroes. Most of these were ones who could logically have a substitute like Iron Man and Green Lantern. All of these had similar story arcs. Something happened to the hero and he was replaced. The replacement was someone logical. The arc then followed the replacement through the growing pains of becoming a hero. The original hero never went far and the story also followed his recovery. Eventually the arc came to a climax where the hero regained his identity and the replacement took on a new identity (and got a his own comic book).

The classic example was when Tony Stark's drinking got the better of him and he spent months living in a cardboard box. His best friend, Jim Rhodes, took over the suit with the help of some ex-Stark employees. Eventually Stark recovered from his alcoholism and started building armor again. The two eventually came into conflict. This was resolved and Rhodes became War Machine.

Captain America gave up his identity after someone in the White House discovered that they government owned the trademark to his name. He called himself The Captain and started wearing a black and white uniform and carried a silver shield. A new patriotic hero was recruited and trained to be Captain America.

Similar things happened with Thor and, over at DC, Green Lantern. Eventually it worked its way up to Spider-Man, Batman and Superman.

This was a transparent ploy to get attention and improve sales. It always worked, at least for a while. And it gave insights into what it takes to be a hero.

This wasn't the only time heroes have had substitutes. Bucky took over as Captain America for several years.

But this time is different.

First of all, it's a lot more replacements and they've all happened at once. And it's not for a sales boost. According to several accounts, sales have dropped since Marvel started this. The point is not to sell more comic books, it's to promote diversity. And therein lies the trap.

Here's what I mean by a trap: previously the story arc was about the difficulty of becoming the hero. It made the character seem fresh by having a new person have to define what that character stood for.

But that can't be done with the new diverse characters because it implies that the original white men were better than the new versions. So, without training, the new versions start out better than the originals. For example, Thor has possessed his hammer for centuries. But as soon as Jane Foster became Thor, she could make it fly around in ways the real Thor never imagined. Bruce Banner was always one of the smartest people on Earth but the new one is even smarter and doesn't have his intellect clouded by being the Hulk.

This makes for uninteresting stories. There's no room for growth in the new hero.

Another twist is that, often the old hero is still lurking around but his stories only server to reinforce his unworthiness. The real Thor is still around as "Thor the Unworthy". He calls himself "Odinson" and is obsessed with regaining his hammer or getting a new one. Steve Rogers is still around but it turns out that he's been a sleeper agent in Hydra (meaning that he was a also a Nazi). There's also a creepy version of Doctor Doom as an alternate Iron Man.

Marvel is doubling down on this. They have a "Generations" series coming out where the new version meets the original. It's obvious that this will be used to prove that the new version is the superior one. Again, the diversity goal mandates that a woman and/or person of color cannot be shown to be inferior to a CIS-gender, white male.

Understand that I have no problem with diverse characters. I was a huge fan of Luke Cage, The Black Panther and others when they first came out. But replacing established characters with new diverse ones who are mandated to be better at the moment of their creation insults the reader.

Tuesday, June 20, 2017

The Arrowverse

The Arrowverse (DC comics-related TV shows) dominate the WB network. Some are better than others. I'm going to skip Arrow. the founder of these shows. I don't care for the character and I I haven't seen enough episodes to have an informed opinion.

The Flash. This was the first Arrow spin-off and has frequent cross-overs. The show follows Barry Allen, his family and the staff of S.T.A.R Labs as they stop dangerous meta-humans. This is a show that started out a ot of fun but has been going down-hill every season. The first season mainly revolved around the Flash stopping a different villain each week with advice from the staff of S.T.A.R. Labs. Half-way through the season it was discovered that there was a Reverse Flash who was even faster. There was a long discovery plot arc where it turned out that an enemy of the Flash's from the future had traveled to the past to kill a young Barry but only succeeded in killing his mother. The Reverse Flash discovered that he was trapped in the past and needed to siphon the Flash's Speed Force in order to return to his own time. In order to do this, he replaced scientist Harrison Wells, founded S.T.A.R. Labs and because Barry's mentor. The plot arc was very well-done. There were goofy elements like the way they imprisoned meta-humans in S.T.A.R. Labs without a trial or any other constitutional rights but you could overlook that because the cast was so well-meaning.

The second season had a rerun property to it. Instead of the Reverse Flash from the future we had Zoom, an evil Flash from Earth 2, a parallel dimension. Once again, Barry was betrayed by a mentor. In this case, Zoom sent a speed-duplicate to impersonate the Flash from Earth 2. There was a new crowd of meta-humans from Earth 2.

The third season was a real disappointment. Again, the main villain was an evil speedster. This one was named Savatar after the Hindu god of motion. In the opening episode, Barry changed time in order to save his mother, then tried to change things back again. Things were slightly different because of this. Among other things, Barry had an annoying co-worker in is job as a CSI. By this point, half of the cast had super powers including three others with super speed. No one seemed to spend any time on their day jobs. Even after discovering that time travel was a bad thing, Barry kept doing it. The big twist (there's always a big twist) came when Barry discovered that Savatar was a time duplicate of Barry himself who planned to kill Barry's girl-friend Iris in a complicated plot that made no sense. Yawn.

Supergirl. This started as a CBS show then moved to WB for its second season. Because of the CBS roots, Supergirl takes place on a different Earth but occasionally visits the Arrowverse for cross-over events. The show's premise is that Supergirl is Superman's older cousin and was supposed to raise him but her spaceship was delayed and she was in suspended animation for years. When she finally arrived at Earth she was still, physically a teenager but her cousin was all grown up. Also a Kryptonian prison ship followed her spaceship and the alien criminals have been living undercover on Earth since her arrival.

The first half of the first season was a real joy. Each episode centered on Supergirl learning a lesson about being a superhero while capturing a dangerous alien. She worked with the DEA (a secret government program that her adopted sister was a member of) and was the executive assistant to Cat Grant, head of a huge media corporation. Cat Grant, played by Calista Flockhart was abrasive but also a mentor to Supergirl. Her co-workers Jimmy Olsen and Winn Schott doubled as mentors and potential boy friends.  Half-way through the first season the plots changed to an arc involving her aunt and some other Kryptonians who plotted to take over the Earth and the show lost some of its fun.

The second season changed everything. Calista Flockhart was only in a few episodes. Any relationship with Olsen or Schott was forgotten so that she could have one with Mon-el, a refugee from the planet Daxam. Most of the fun drained out of the show. The show also because the most overtly political in the Arrowverse.

Legends of Tomorrow. A time traveler named Rip Hunter assembled a team of B-list heroes and villains in order to travel across time to stop the villain Vandal Savage. The show stole a lot from Doctor Who with Rip being a Time Master in a stolen time ship (think Time Lord and TARDIS with superheros).  The first season involved traveling to different periods to foil Savage. A lot of it revolved around Hawk Girl and Hawk Man who, along with Savage, were reincarnated Egyptian royalty. Because it had such a large cast and in order to keep CGI costs down, the cast was usually split with half the team doing the actual mission and the other half staying in the ship to argue. The main character arc involved the villains, Captain Cold and Heatwave becoming part of the team. In general, it was humorless and never succeeded in capturing the sense of urgency the plot suggested.

The second season was a huge improvement. The first season ended with the destruction of the Time Masters so the Legends took their place in stopping anomalies in time. There were changes in the cast, too. This time the villains were the "Legion of Doom" - a trio villains from Arrow and The Flash who are trying to rewrite history so that they are in charge. Unlike the first season, this one is a lot of fun. They cross paths with interesting historic figures, possibly inspiring George Lucas and J. R. R. Tolkien. Instead of constantly fighting, the Legends act like a real team and the two geeks in the group clearly love using their powers. Unlike the other shows in the Arrowverse, this one is getting better instead of worse.

Wednesday, June 14, 2017

Wonder Woman

Wonder Woman is easily the best DC superhero movie since Tim Burton's Batman. The Dark Knight trio had far too many plot holes to be really great pictures. The Batman sequels and the Superman movies just weren't very good. And the less said about Suicide Squad and Green Lantern the better.

What surprises me is the comparisons to Marvel movies. I've seen several reviews that dripped scorn over the various Marvel movies while praising Wonder Woman.

The thing is, Wonder Woman is a Marvel movie in every way that counts. Like Marvel movies, it's an origin movie that mixes seriousness with humor. It is hero-centric. Marvel decided from the beginning that their movies would feature the hero and that the villain would be secondary. In contrast, DC movies have mostly followed the Batman formula of giving the villains as much or more screen time as the hero.

More than any other movie, Wonder Woman resembles Captain America, the First Avenger. Both are period pieces following the progression of someone from untrained weakling through a period of trying to be taken seriously. They both pick up a group of ethnic soldiers. They are both fighting a rouge German who is about to unleash a super-weapon that will destroy London. (the next sentence is a spoiler) They even have someone sacrificing himself by crashing an airplane.

Wonder Woman ends in a CGI-fest, just like the Marvel movies.

Not there's anything wrong with Marvel movies. The reason they keep making bundles of money is that they are entertaining to watch. I enjoy watching the Guardians of the Galaxy for the 12th time much more than Man of Steel for the 3rd or 4th. I can't even watch Dark Knight Rises for the second time.  DC keeps going for dark and gritty and forgetting to make their movies fun.

The Justice League looks like it might be a lot more fun, but it might also be too derivative. The scene between Bruce Wayne and Barry Allen is too similar to Tony Stark and Peter Parker and Aquaman acts too much like Thor.

This is kind of ironic since DC spent decades reinventing itself to be more like Marvel.